Follow up: December Program Day
Tuesday, March 16th, 2010The blog below was posted by a panelist from our December Program Day on Cultural Arts and the Creative Economy. Eve Connell discusses not only the arts but how they are funded.
Last night’s Portland Stock event at PNCA Commons was a rich gathering of people and local fare and art. A hundred of us came together as a community to break bread and share soup—and to choose one of seven art projects presented by individuals/groups to be funded by the evening’s proceeds. After reading the proposals, we engaged in conversation around our tables while munching veggie delights. We talked about what we liked about the proposals, what we didn’t like, and why. We shared our experiences in art—from making to selecting to supporting to funding. We discussed the merits of community impact vs. individual expression. We debated art and social/political position.
Then, we voted. The first round narrowed the group to the top three faves, and from the second (and final) round, our winner emerged: this month’s supported artist will be able to purchase a camera and make postcards of city scenes that may not exist forever, in an attempt to capture a moment, a feeling. Cool. (All the projects before us were terrific but my heart was with the guerilla gardeners. Carrots, and all, you know?)
There were two community-based projects that had more social appeal than artistic challenges to them, and perhaps this is why carrots didn’t win in Portland last night. When is a social project (unimproved roads in a neighborhood turned into history walk; renegade random planting of veggies and flowers) art? I think it’s quite a bit easier to see the social/political connections, inspirations, purposes of particular art pieces (see the political and social graphics and posters on display now at PNCA; and, think: !No Uvas!) but should we be able to see the art in a neighborhood history walk? Is it even there? Is it too subtle? Or, is it really something else? Is community activism art?
This was the most interesting exploration the evening provoked, one I hope will be revisited in the next Stock event in June. Consider attending this fascinating event that blends art, food, and social interaction with democratic selection and a granting process. What better way to directly support a local project? To read more about Portland Stock and some of the community projects that inspired this model, read my article on Neighborhood Notes.